cv.php 16 KB

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  1. <?php
  2. $bodyclasses = 'cv page';
  3. $title = 'Curriculum Vitæ';
  4. $tagline = '… what have I done?';
  5. $description = 'All the things you normally don\'t see about me, because the things one most tries to hide are often the things most easily seen.';
  6. $keywords = 'cv, curriculum vitae, resume, music, learning, tabletop, research';
  7. $twitter_image = 'images/colopic.jpg';
  8. ?>
  9. <?=i('_header')?>
  10. <article class="body grid grid-cols-1 print:grid-cols-1 sm:grid-cols-2 gap-x-6 gap-y-0">
  11. <section id="personal" class="macro first full col-start-1 sm:col-span-2">
  12. <h2>Personal information</h2>
  13. <div class="body grid grid-cols-1 sm:grid-cols-2 gap-x-6 gap-y-0">
  14. <section id="person_me" class="left pb-0" itemscope itemtype="http://schema.org/Person">
  15. <p itemprop="name" class="hidden print:block">Andrea Franceschini, Ing. PhD</p>
  16. <p itemprop="nationality" itemscope itemtype="http://schema.org/Country">Nationality: <span itemprop="name">Italian</span></p>
  17. <meta itemprop="birthDate" content="1983-05-07" />
  18. <meta itemprop="affiliation" content="Department of Computer Science and Technology, University of Cambridge, UK" />
  19. </section>
  20. <section id="full_cv" class="right print:hidden">
  21. <p>Download the <a href="<?=$baseurl?>files/franceschini-andrea-cv.pdf" title="Full CV - PDF, 94 KB">full CV</a> (PDF, 94 KB)</p>
  22. <p>Find me on <a href="//www.linkedin.com/in/andreafranceschini" target="_blank"><span class="fa fa-linkedin-square fa-fw" style="color: #0077b5 !important"></span> LinkedIn</a></p>
  23. </section>
  24. </div>
  25. </section>
  26. <section id="work" class="macro right col-start-1 col-span-1">
  27. <h2>Work experience</h2>
  28. <div class="body">
  29. <section>
  30. <p>July 2021 &mdash; present</p>
  31. <p><strong>Visiting Fellow</strong></p>
  32. <p><strong><a href="https://csc.dei.unipd.it">Centro di Sonologia Computazionale</a><br/>Universit&agrave; di Padova</strong>, Italy</p>
  33. <p>Research and development for ArTracker, an IoT platform for tracking and monitoring artworks and cultural heritage.</p>
  34. </section>
  35. <section>
  36. <p>January 2016 &mdash; present</p>
  37. <p><strong>Post Doctoral Research Associate</strong></p>
  38. <p><strong><a href="https://www.cst.cam.ac.uk">Department of Computer Science and Technology</a><br/>University of Cambridge</strong>, UK</p>
  39. <p>Research and development for <a href="//www.isaaccomputerscience.org">Isaac Computer Science</a> and <a href="//www.isaacphysics.org">Isaac Physics</a>.</p>
  40. <ul>
  41. <li><strong>Development</strong>: <a href="https://isaacphysics.org/equality">a graphical, web-based entry system for symbolic formulas (maths, boolean logic, physical chemistry)</a>. Research on usability and impact on problem solving skills and physics learning.</li>
  42. <li><strong>Research</strong>: analysis of impact based on <a href="https://www.compare-school-performance.service.gov.uk/">DfE exam results</a> and development of strategies to improve impact and engagement; learning outcome of different question formats; training and technical support for <a href="//www.asidatascience.com/">ASI Data Science Fellows</a> working on various projects</li>
  43. <li><strong>Other</strong>: maintenance and infrastructure development</li>
  44. </ul>
  45. </section>
  46. <section>
  47. <p>November 2016 &mdash; present</p>
  48. <p><strong>Post Doctoral Research Associate</strong></p>
  49. <p><strong><a href="https://www.robinson.cam.ac.uk/">Robinson College</a><br/>University of Cambridge</strong>, UK</p>
  50. <p>Teaching Supervisor, <a href="https://www.cl.cam.ac.uk/teaching/">Computer Science tripos</a></p>
  51. </section>
  52. <section>
  53. <p>2006 &mdash; present</p>
  54. <p><strong><a href="<?=$baseurl?>development">Freelance developer</a></strong> (iOS, Android, web)</p>
  55. <ul>
  56. <li><strong>Web sites</strong>, mostly for clients in the classical music industry</li>
  57. <li><strong>Mobile applications</strong>, small- to mid-sized applications ranging from exhibition guides to citizen engagement, from interactive books to casual games</li>
  58. </ul>
  59. <p>Some <strong>technologies</strong>: iOS (Swift, Objective-C), Android (Java, Kotlin), Cinder (C++), Processing, Arduino, Drupal, Ruby on Rails, Vue.js, Nuxt.js, React</p>
  60. </section>
  61. </div>
  62. </section>
  63. <section id="education" class="macro left col-start-1 col-span-1 sm:col-start-2">
  64. <h2>Education</h2>
  65. <div class="body">
  66. <section>
  67. <p>April 2012 &mdash; February 2016</p>
  68. <p><strong>PhD</strong> in Computing (HCI, Music Computing)</p>
  69. <p><strong><a href="https://www.open.ac.uk">The Open University</a></strong>, UK</p>
  70. <p>Thesis title: <em><a href="<?=$baseurl?>files/phd-thesis.pdf" title="PDF, 8.2 MB">Learning to use melodic similarity and contrast for narrative using a Digital Tabletop Musical Interface</a></em></p>
  71. <p>supervisors: Dr Robin Laney, Mr Chris Dobbyn</p>
  72. </section>
  73. <section>
  74. <p>December 2006 &mdash; June 2010</p>
  75. <p><strong>Laurea Magistrale</strong> (MSc) in Computer Science and Engineering</p>
  76. <p><strong><a href="http://www.unipd.it/">Università di Padova</a></strong>, IT</p>
  77. <p>Thesis title: <em><a href="<?=$baseurl?>files/master_thesis.pdf" title="PDF, 706 KB">A practical approach to music theory on the Reactable</a></em></p>
  78. <p>advisor: Prof. Giovanni De Poli</p>
  79. <section class="indent">
  80. <p>October 2008 &mdash; March 2009</p>
  81. <p><strong>Erasmus</strong>, thesis research and development work on the <a href="//www.reactable.com">Reactable</a></p>
  82. <p><strong><a href="https://www.upf.edu/web/mtg">Music Technology Group</a></strong></p>
  83. <p><strong><a href="https://www.upf.edu/">Universitat Pompeu Fabra</a></strong>, ES</p>
  84. <p>supervisor: Dr Sergi Jordà</p>
  85. </section>
  86. </section>
  87. <section>
  88. <p>October 2002 &mdash; December 2006</p>
  89. <p><strong>Laurea</strong> (BSc) in Computer Science and Engineering</p>
  90. <p><strong><a href="http://www.unipd.it/">Università di Padova</a></strong>, IT</p>
  91. <p>Thesis title: <em>Schematizzazione di uno scheduler ciclico statico per applicazioni embedded in ambiente Windows CE</em></p>
  92. <p>advisor: Dr Michele Moro</p>
  93. </section>
  94. </div>
  95. </section>
  96. <section id="awards" class="macro full col-start-2 sm:col-span-2">
  97. <h2>Awards</h2>
  98. <div class="body">
  99. <section>
  100. <p>May 2022</p>
  101. <p><strong>MSCA 2021 Seal of Excellence</strong></p>
  102. <p>Marie Skłodowska-Curie Actions, European Commission</p>
  103. <p><a href="<?=$baseurl?>files/msca-2021-seal-of-excellence.pdf" title="Seal of Excellence certificate">Digitally signed certificate</a></p>
  104. </section>
  105. </div>
  106. </section>
  107. <section id="teaching" class="macro full col-start-1 sm:col-span-2">
  108. <h2>Teaching experience</h2>
  109. <div class="body sm:float-left sm:w-1/2 sm:pr-2 print:float-none print:w-auto">
  110. <h3>Courses</h3>
  111. <section>
  112. <p>January 2019 &mdash; March 2019</p>
  113. <p><strong>Teaching Assistant</strong> at <strong><a href="https://www.cl.cam.ac.uk/">Computer Laboratory</a></strong><br/>
  114. <strong>University of Cambridge</strong>, UK</p>
  115. <p>Course: <strong><a href="https://www.cl.cam.ac.uk/teaching/1819/L312/">Digital Signal Processing with Computer Music</a></strong></p>
  116. </section>
  117. <section>
  118. <p>October 2016 &mdash; present</p>
  119. <p><strong>Teaching Supervisor</strong> at <strong><a href="https://www.cl.cam.ac.uk/">Computer Laboratory</a></strong><br/>
  120. <strong>University of Cambridge</strong>, UK</p>
  121. <p>Courses:</p>
  122. <ul>
  123. <li><a href="//www.cl.cam.ac.uk/teaching/1718/AdvGraph">Advanced Graphics</a></li>
  124. <li><a href="//www.cl.cam.ac.uk/teaching/2021/FHCI">Further Human-Computer Interaction</a></li>
  125. <li><a href="//www.cl.cam.ac.uk/teaching/1819/FJava">Further Java</a></li>
  126. <li><a href="//www.cl.cam.ac.uk/teaching/2021/IntDesign">Interaction Design</a></li>
  127. <li><a href="//www.cl.cam.ac.uk/teaching/1718/Graphics">Introduction to Graphics</a></li>
  128. <li><a href="//www.cl.cam.ac.uk/teaching/1718/ProgC/">Programming in C</a></li>
  129. <li><a href="//www.cl.cam.ac.uk/teaching/2021/ProgC/">Programming in C and C++</a></li>
  130. </ul>
  131. </section>
  132. <section>
  133. <p>October 2011 &mdash; November 2011</p>
  134. <p><strong>Full-time teacher</strong> at <strong>Istituto di Istruzione Superiore di Lonigo</strong></p>
  135. <p>Course: A035, Electrical Engineering and Applications</p>
  136. </section>
  137. <section>
  138. <p>October 2002 &mdash; June 2010</p>
  139. <p><strong>Private tutor</strong> for high school and university students</p>
  140. <p>Courses: Mathematics, Computer Science, Electronics, Electrical Engineering</p>
  141. </section>
  142. </div>
  143. <div class="body sm:float-right sm:w-1/2 sm:pl-2 print:float-none print:w-auto">
  144. <h3>Students</h3>
  145. <section>
  146. <p>October 2019 &mdash; May 2020</p>
  147. <p><strong>Sam Williams</strong>, Clare College</p>
  148. <p><em>A Drum Rhythm Processing System to complement Sonic Pi</em></p>
  149. <p>Part II (3<sup>rd</sup> year) dissertation, CompSci Tripos</p>
  150. </section>
  151. <section>
  152. <p>October 2018 &mdash; May 2019</p>
  153. <p><strong>Charles J. Y. Yoon</strong>, King's College</p>
  154. <p><em>Musical Style Transfer using Neural Networks</em></p>
  155. <p>Part II (3<sup>rd</sup> year) dissertation, CompSci Tripos</p>
  156. </section>
  157. </div>
  158. </section>
  159. <section class="macro full col-start-1 sm:col-span-2">
  160. <h2>Publications</h2>
  161. <div class="body grid grid-cols-1 sm:grid-cols-2 gap-x-6 gap-y-0">
  162. <section id="ref-papers" class="full col-start-1 col-span-2">
  163. <h3>Refereed papers</h3>
  164. <ul class="nomargin">
  165. <li>A. Franceschini, R. Laney, C. Dobbyn (2022) <a href="" title="This article is not published yet. A download link will be available soon after publication.">Sketching Music together: mixed groups exploring melodic similarity and contrast using a Digital Tabletop</a>. In <em>Journal of Music, Technology &amp; Education<!--, Volume 1x, Number y--></em> (Accepted for publication). <!-- (<a href="">Scopus</a>) --></li>
  166. <li>T. Battistin, N. Dalla Pozza, S. Trentin, G. Volpin, A. Franceschini, RHF therapists team, A. Rodà (2022), <a href="" title="This article is not published yet. A download link will be available soon after publication.">Co-designed mini-games for children with visual impairment: a pilot study on their usability</a>. In <em>Multimedia Tools and Applications</em> (Accepted for publication).</li>
  167. <li>J. Waite, A. Franceschini, S. Sentance, M. Patterson, J. Sharkey (2021), <a href="https://doi.org/10.1145/3481282.3481287">An online platform for teaching Upper Secondary school Computer Science</a>. In <em>Proceedings of the United Kingdom and Ireland Computing Education Research (UKICER 2021) Conference</em>. (<a href="https://www.scopus.com/record/display.uri?eid=2-s2.0-85115215700&origin=resultslist">Scopus</a>)</li>
  168. <li>A. Franceschini, R. Laney, C. Dobbyn (2020) <a href="https://doi.org/10.1386/jmte_00014_1">Sketching Music: Exploring melodic similarity and contrast using a Digital Tabletop</a>. In <em>Journal of Music, Technology &amp; Education, Volume 13, Number 1</em> (August 2020). (<a href="https://www.scopus.com/record/display.uri?eid=2-s2.0-85099455819&origin=resultslist">Scopus</a>)</li>
  169. <li>A. Franceschini, J. P. Sharkey, A. R. Beresford (2020) <a href="<?=$baseurl?>files/ccers20-inequality-poster-combo.pdf" title="PDF, 1.5 MB">Effective use of mathematical equations in an online learning environment</a>. In <em>Proceedings of the Cambridge Computing Education Research Symposium 2020</em>, Cambridge, UK.</li>
  170. <li>A. Franceschini, J. P. Sharkey, A. R. Beresford (2019) <a href="<?=$baseurl?>files/las2019.pdf" title="PDF, 2 MB">Inequality: multi-modal equation entry on the web</a>. In <em>Proceedings of Learning @ Scale 2019</em>, Chicago, IL, USA. (<a href="https://www.scopus.com/record/display.uri?eid=2-s2.0-85083953064&origin=resultslist">Scopus</a>)</li>
  171. <li>A. Franceschini, R. Laney, C. Dobbyn (2016) <a href="<?=$baseurl?>files/met2016.pdf" title="PDF, 87 KB">Sketching music: making music through exploring art</a>. In <em>Proceedings of Sempre: Music, Education, Technology (MET2016)</em>, London, UK.</li>
  172. <li>A. Franceschini, R. Laney, C. Dobbyn (2014) <a href="<?=$baseurl?>files/icmcsmc2014.pdf" title="PDF, 854 KB">Learning Musical Contour on a Tabletop</a>. In <em>Proceedings of the 40th International Computer Music Conference and 11th Sound and Music Computing Conference (ICMC-SMC)</em>, Athens, Greece. (<a href="https://www.scopus.com/record/display.uri?eid=2-s2.0-84908884791&origin=resultslist">Scopus</a>)</li>
  173. <li>A. Franceschini (2010) <a href="<?=$baseurl?>files/smc2010.pdf" title="PDF, 570 KB">Towards a practical approach to music theory on the Reactable</a>. In <em>Proceedings of the 7th Sound and Music Computing Conference (SMC)</em>, Barcelona, Spain. (<a href="https://www.scopus.com/record/display.uri?eid=2-s2.0-84905169162&origin=resultslist">Scopus</a>)</li>
  174. </ul>
  175. </section>
  176. <section id="posters" class="full col-start-1 col-span-2">
  177. <h3>Posters</h3>
  178. <ul class="nomargin">
  179. <li>A. Franceschini, J. P. Sharkey, A. R. Beresford (2020) <a href="<?=$baseurl?>files/ccers20-inequality-poster-combo.pdf" title="PDF, 1.5 MB">Effective use of mathematical equations in an online learning environment</a>. In <em>Proceedings of the Cambridge Computing Education Research Symposium 2020</em>, Cambridge, UK.</li>
  180. <li>A. Franceschini, R. Laney, C. Dobbyn (2014) <a href="<?=$baseurl?>files/icmcsmc2014-poster.pdf" title="PDF, 854 KB">Sketching Music</a>. <em>ICMC-SMC</em>, Athens, Greece.</li>
  181. <li>A. Franceschini, R. Laney, C. Dobbyn (2013) <a href="<?=$baseurl?>files/dmrn8-poster-combo.pdf" title="PDF, 15 MB">A study of contour in music using digital tabletop musical instruments</a>. <em>DMRN+8</em>, London, UK.</li>
  182. </ul>
  183. </section>
  184. <section id="talks" class="left col-start-1 col-span-1">
  185. <h3>Talks</h3>
  186. <ul class="nomargin">
  187. <li><em><a href="<?=$baseurl?>files/csmc2017.pdf" title="PDF, 29 KB">Technologies and practices to “uncomplicate” music</a></em>. <a href="https://csmc2017.wordpress.com/">CSMC</a>, September 2017, The Open University, UK.</li>
  188. <li><em>Qualitative Data Analysis</em>. Workshop, ESSD-HCI seminar series, March 2015, The Open University, UK.</li>
  189. <li><em>Music lessons on a tabletop</em>. Invited seminar, 26 September 2014, Experimental Music Lab, Università di Trento, Italy.</li>
  190. </ul>
  191. <h3>Panels</h3>
  192. <ul class="nomargin">
  193. <li><em>Musical Creativity &amp; HCI</em>. <a href="https://csmc2017.wordpress.com/">CSMC</a>, September 2017, The Open University, UK.</li>
  194. </ul>
  195. </section>
  196. <section id="mag-papers" class="right col-start-1 col-span-1 sm:col-start-2">
  197. <h3>Magazine articles</h3>
  198. <ul class="nomargin">
  199. <li>A. Franceschini (2011) <a href="<?=$baseurl?>files/LC75_drupal.pdf">Estendere Drupal: scrivere moduli personalizzati</a>. In <em>Linux&amp;C</em>, 75. Piscopo Editore.</li>
  200. <li>A. Franceschini (2011) <a href="<?=$baseurl?>files/LC74_drupal.pdf">Creare temi e pagine personalizzate per Drupal</a>. In <em>Linux&amp;C</em>, 74. Piscopo Editore.</li>
  201. <li>A. Franceschini (2011) <a href="<?=$baseurl?>files/LC73_drupal.pdf">Drupal: web content manager potente e flessibile</a>. In <em>Linux&amp;C</em>, 73. Piscopo Editore.</li>
  202. <li>A. Franceschini (2009) <a href="<?=$baseurl?>files/LC67_inkscape.pdf">Inkscape: impariamo a dominare tracciati e colori</a>. In <em>Linux&amp;C</em>, 67. Piscopo Editore.</li>
  203. <li>A. Franceschini (2008) <a href="<?=$baseurl?>files/LC64_inkscape.pdf">Inkscape: fare grafica vettoriale con Linux</a>. In <em>Linux&amp;C</em>, 65. Piscopo Editore.</li>
  204. </ul>
  205. </section>
  206. </div>
  207. </section>
  208. </article>
  209. <?=i('_footer')?>